Plasmatic narrative, following entirely invented characters and events, was developed through ancient drama and New Comedy. Distinctly fictional work was not recognized as separate from historical or mythological stories until the imperial period. Prose fiction was developed in Ancient Greece, influenced by the storytelling traditions of Asia and Egypt. Greek poets such as Homer, Hesiod, and Aesop developed fictional stories that were told first through oral storytelling and then in writing. Early fiction was closely associated with history and myth. Storytelling has existed in all human cultures, and each culture incorporates different elements of truth and fiction into storytelling. History įurther information: History of literature Despite the traditional distinction between fiction and non-fiction, some modern works blur this boundary, particularly ones that fall under certain experimental storytelling genres – including some postmodern fiction, autofiction, or creative nonfiction like non-fiction novels and docudramas – as well as the deliberate literary fraud of falsely marketing fiction as nonfiction. In contrast to fiction, creators of non-fiction works assume responsibility for presenting only information (and sometimes opinion) based in historical and factual reality. The creative art of constructing an imaginary world is known as worldbuilding. Characters and events within some fictional works may even exist in their own context entirely separate from the known physical universe: an independent fictional universe. Because fiction is generally understood to not fully adhere to the real world, the themes and context of a work, such as if and how it relates to real-world issues or events, are open to interpretation. Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. These emotional experiences involve what the English poet Samuel Taylor Coleridge called the " willing suspension of disbelief". The effects of reading fiction, and the way the reader is changed by the new information they discover, has been studied for centuries. The latter turn of phrase is popularity associated with Oscar Wilde. The opposite circumstance, in which reality appears to change based on what had been shown in past fiction, is comparatively known as life imitating art. In intellectual research, evaluating this process is a part of media studies. The use of real events and/or individuals to fashion creative works is known as fictionalization. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. In a traditional narrow sense, "fiction" refers to written narratives in prose – often referring specifically to novels, novellas, and short stories. Fictional portrayals are thus inconsistent with history, fact, or plausibility. An illustration from Lewis Carroll's 1865 novel Alice's Adventures in Wonderland, depicting the fictional protagonist, Alice, playing a fantastical game of croquetįiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary.
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